Remote Viewing
All images represent sculptural artifacts (R) derived from source images (L). This work is produced from a generative system published as “Remote Viewing: 500 Tableaux” (Publication Studio, 2016). Works made 2016-present.
End Effector, paper on cardboard
Truss, enamel on wood
Mile Marker, enamel on sheet metal
Module, enamel on MDF
Maersks, enamle on wood
Shiu Fu No.1, cast resin, straw, reclaimed wood
Shiu Fu No.1, (2), cast resin, straw, reclaimed wood
Skull, mapping pins on carved walnut wood
Boulder, Barrel, pigmented ultracal, cardboard, enamel
Light Photon, cast resin, gradient mylar, acrylic, steel
Tray, CNC-cut basswood
Mines Danger, enamel on aluminum
JPL Wrench, 3D-printed ABS plastic
Navigator’s Shirt, inkjet print, synthetic fabric
Tallship, wood, hemp, magnets, canvas
Glock 19, enamel, cardboard, vinyl, thread
Destroyer Arizona, cardboard
Högertrafikomläggningen, naugehyde
Model Dinner, acrylic, cast hydrocal
Remote Safari Prototype, enamel on turned wood
Orion Tracking Capsule outtake, printed Tyvek
Antikythera Mechanism, acrylic, medium, cardboard
Dolly B, 3D-printed ABS plastic
Gendarmerie, enamel on polystyrene
57 Drift Spoiler Frag, enamel on luan, steel
Rug Sim, inkjet on synthetic fabric, foam
Karl/Digital Connectors, screen printed cotton
Stocks I & II, carved walnut wood
Taser, sandblasted enamel on cardboard
Bailey Lovie Acuity Set, enamel, polystyrene
Robotic Companion, felt, wooden dowels
42D Attack Squadron, vinyl on plasma cut steel
Sweat Lodge, plywood, concrete
Contraband (99 Knives), carved driftwood/scrapwood
Commendations, enamel on pine
Qassam Launch Structures, steel, cable
Polaroid Land Cam (B), 3D-printed ABS plastic
Skeleton/Soupcan, whittled lilac branches, enamel, ultracal
Molecule I, enamel on wood
Dog/Chassis, plastic, aluminum, steel, hardware
IED V, cobbled materials